While it's true this a darkly brooding and overwhelmingly somber adaptation of the last son of Krypton, unlike anything moviegoers have seen before, I personally like the deliberately downbeat sentimental melodrama because it's a logical progression of the first movie. Goyer's script, reasonably complaining it adds a much too serious element to a film based on a comic book. Many fans have griped over this aspect of Chris Terrio (' Argo') and David S. The overzealous Junior Senator from Kentucky June Finch (an excellent Holly Hunter) keeps suggesting throughout that there should be some regulations put in place. government for his part in the destruction of Metropolis. Meanwhile, Superman (Henry Cavill) is made to answer before the U.S. His anger for Superman develops and ferments over the course of the film, and Affleck aptly provides poignancy and sympathy to the Bat's cause, a rage that's been brewing since his parents' death.
Arguably the most surprising and impressive part of the production, Affleck does a superb job as the aged and embittered Dark Knight, walking around with a permanently etched furrow between his eyes.
With Wayne expertly weaving between giant pieces of concrete debris in the hopes of saving as many innocent lives as possible, we watch the mayhem from below and quickly understand Wayne's outrage, which slowly evolves into acerbic hatred. This affords audiences an interesting point of view and new perspective on the destruction that essentially killed thousands. Picking up just moments after the Man of Steel battles General Zod to save Earth from extinction, the Zack Snyder directed picture opens with a surly, gray-haired Bruce Wayne (Ben Affleck) running towards the chaos rather than away from it. Although Batman is given top-billing, 'Batman v Superman: Dawn of Justice' is really a sequel to 2013's Superman reboot, largely following the aftermath of the events seen in that blockbuster.
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